You have to become Bob

e point of view, in the short cartoon, not the protagonist who is not eligible for a lot of inner box it ^ ^.

13. Do not let the fuzzy point of view. Suppose now to write the story of Bob, before you decided to view his role, how do you make sure his point of view?

When you write the story, you have to become Bob, you can only see what he saw and heard what he heard, that to his knowledge, feeling his feelings, addition of as no

more intelligence. When Bob enters a room, he will first feel the sultry air, noting the sea of faces blurred, and then think "I want to convince you that I thought

was right." As you described, you can not only view your role to link with real life, but also let you create more easily. You do not worry about Sally Gansha in the

next room, and Bob worried about unrelated things can be ignored. Bob is reaction to concentrate and do your best to keep Bob is experience in this scene, vivid sense.

Next, let the reader know that this is sustained the point of view things from Bob. The use of grammar skills to understand the idea of Bob feels. Instead of using

"speech in the meeting room was crowded with" better use "Bob felt bored around the temperature around him, learned that he had to deliver a good speech, good to keep

the audience is enthusiasm." I could only Bob feel and understand their own. So readers know Bob look through the view, and then locked in Bob is perception.

Professional writers through the external environment (heat, the crowds) and the point of view (Bob) are combined and constructed a [result>; [Fruit>; connected by

Bob point of view, to understand Bob inner thoughts. Through the perspective of the role by observing the outs